Blind Man with a Pistol


‘Police Brutality Is Not a Game’

spiritThe 2009 World Police and Fire Games kicked off in Vancouver this weekend. More than 12 000 police officers from around the world will compete in 65 sporting events over the next ten days. The event has prompted the Vancouver Anti-Poverty Committee to call for a mobilization against police brutality both locally and internationally, under the banner ‘Police brutality is not a game’. It is curious, then, that the Games chose this ‘Eagle Spirit’ image, by traditional Haida artist Garner Moody, as the official logo. The 1329-strong Vancouver Police Department boasts a meagre twenty-one First Nations officers (about 1.5%), and even fewer (if any) actual Haida officers. While this substantially less than the 4.4% First Nations make up the general population, perhaps the Games decided not to honour this small contingent by rooting their national heritage for the official crest, opted instead to salute the overrepresentation of First Nations our boys and girls in blue incarcerate: First Nations make up 18.5% of our national prison population, a bias even more acute in British Columbia.

This shameless appropriation of First Nations’ cultural heritage by the state has become a popular past-time in British Columbia, perhaps the most infamous example the Inukshuk logo of the 2010 Vancouver Winter Olympics. At least the Haida, unlike the Inuit, can be found within the borders of the province.

The audacity of the World Police and Fire games to choose the national art of the people they most brutalize and incarcerate as their logo bespeaks gross ignorance and criminal blindness.  The fact that the choice was probably meant to sell Canada’s ‘multicultural’ society internationally adds further insult. Just as the purpose of our police forces is not to protect its citizens, but to protect the state against its enemies—in this case, the autonomy and nationhood of our First Nations—its gamesmanship and recreation extend this defence to new fronts. By appropriating without honour or good faith, the ‘correctional services of Canada’ engage in an act of cultural violence against the artistic heritage of its favourite victim, the First Nations of Turtle Island.

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